灵魂舞者

简介：根据美国历史上首批进入太空的宇航员的真实故事改编而成，他们是阿兰·舍帕德、戈斯·格瑞森、约翰·格婪尼、斯高特·卡本特、高登·库伯等，共七位英雄。影片详细地描绘了美国太空计划的诞生过程以及第一批航天员诞生的历史故事。

简介：两位无家可归的兄弟目睹了一场足以撼动这座城市腐败根基的犯罪事件，并因此踏上了一段意想不到的危险旅程。这对坚韧的兄妹发现了家庭的真正意义。

简介：纳粹大屠杀已成过去，但往事并不如烟。两姐妹是以色列幸存者之女，妹妹在柏林被骂是“杀人凶手女儿”，姐姐对独裁生父本来心怀怨愤，对父亲承认战时在波兰忍辱求存的故事半信半疑，决意追查家族隐藏秘密。埋于心底回忆遂步解封，却撕开新的伤口淌血，姐姐更将患癌归咎于父亲罪孽的因果报应。 过去萦绕，忏悔能否得到谅解，以宽恕化解仇恨？

简介：白人历史教师丹•邓恩（瑞恩•高斯林 饰），在纽约布鲁克林一家破旧的公立中学教书，他的学生多是黑人。丹有激情和创造力，热爱学生，不遵循官方教学大纲，相信黑格尔辩证法，认为历史本质由相反力作用而成。他使得纸页间枯燥的历史生动鲜活，鼓励学生思考和分析历史，及自己周遍世界的运作法则，学生成为丹存活于社会的救生索。晚上，他是不可救药的瘾君子。　　这种分裂的生活没有能持续多久，丹某次在空无一人的女更衣室吸毒而虚脱，被他的黑人女学生德丽（莎莉卡•艾普斯 饰）发现。共同保守的阴暗秘密，拉近了他们的关系，也改变了各自的生活。

简介：民国时期，陶瓷大亨龙家二少爷龙柏华邂逅了戏班花旦崔怡青， 两人迅速坠入爱河，在不顾家人反对的情况下，私定终身，念《上 邪》为誓言。但是，战争到来，龙柏华以“婊子无情，戏子无义” 为由，离开了崔怡青，背叛了曾经的海誓山盟。崔怡青因爱生恨， 也开始背叛曾经的誓言。并且诅咒每一个无情无义的龙家后人。 龙柏华的孙子龙念祖，出于对爷爷身世的好奇，开始调查过去 的事情。在调查中，龙念祖认识了美女警官郝佳佳，两人关系 逐渐亲密。随着对过去事件调查的深入，两人也出现了不同程 度的危机，难道崔怡青曾经的诅咒，真的降临在了龙家的子孙 后代身上

简介：树（王宝强 饰）的父亲亲手杀死了树的大哥，后来父亲去世了，但两人影像却时常浮现在他脑海。在汽修铺工作中，他开始眼花，后来出了工伤，住进医院，护士苹苹（何洁 饰）给他拆线时，厂长将他辞退了。他的家面临拆迁，因为村长小舅子在这开矿，他感到十分无助，没事在村里闲逛，与朋友喝酒， 没钱就向弟弟伸手。某天，他碰到了朋友的表妹张小梅（谭卓 饰），一见钟情。但在相亲中，他发现小梅是个聋哑女孩。然而，这并没有阻隔他们的爱情。朋友结婚，他卖力地张罗，却无意中得罪了村长的小舅子，受到侮辱。一气之下，他来到城里找朋帮忙。在朋友的奥校打工时，他见证了朋友搞婚外情的事实。他通过短信跟小梅传情，最终决定与她结婚。然而，这场婚礼却进行得异常艰难……

简介：乌鸦学校铃兰高中，新一学年战火再燃。强大可怕的强罗彻（柳乐悠弥 饰）接连摧毁对手的挑战，一步步朝着铃兰的顶点迈进。与此同时，干掉焚八商业四天王的镝木旋风雄（东出昌大 饰）转学来到铃兰，脑瓜灵光的小岐须健一（胜地凉 饰）等人便将宝压在旋风雄的身上，期待他和强罗的最终对决。拳哥（矢部享佑 饰）辗转回来，当初他最疼爱的老大的儿子加贺美辽平（早乙女太一 饰）则已成为铃兰的一年级生，更因击倒强罗而声名鹊起。与此同时，黑咲工业老大柴田浩树（岩田刚典 饰）的发小兼宿敌藤原一（永山绚斗 饰）走出看守所，在黑道的指示下勾结暴走族ODA对黑咲和铃兰分别展开狩猎，而他和加贺美联手则将战火推向顶点……　　本片根据高桥弘的同名原作漫画改编。

简介：在一个漫漫长夜里，一名神秘杀手袭击了她所在的偏远岛屿小镇，经验丰富的 911 接线员 Faye 必须通过一次次紧急呼叫，查明杀手的动机并努力拯救她的社区。

简介：在冷战时期莫斯科，一个女间谍，从一个理想主义的政客的身上窃取机密并爱上了他。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：在影片中，湖西村是个各项工作 都做得很到位的模范村，可是却很难 拿到“示范村”的称号，原因是村中有 位“困难户” 吴茂才。这个人奸懒馋 滑、游手好闲，虽然有小拿小摸的毛 病，但心眼不坏。袁志博饰演的党支 部书记兼村委会主任田可馨为人善 良、干练、泼辣，外号“假小子”，她 原则性很强，办事也很有魄力。为了 彻底地帮助吴茂才，田可馨想尽了一 切办法，甚至不惜拿出房子作抵押给 他承包鱼塘。在袁志博的扶住和感化 下，吴茂才最终痛改前非、彻底抛弃 了以往的恶习。

简介：A sailing holiday spirals out of control when a teenage daughter uncovers the dark past of her mother's new boyfriend.