正如伊索所愿

简介：年轻人王一鸣从小因为父母的启发热爱上了音乐，但是王一鸣家庭条件不太好，所以没有多余的资金去专业学习音乐。可是这样的挫折并没有使王一鸣放弃梦想，王一鸣经过父母的鼓励，开始自学音乐，并且通过自己的努力认识了更多音乐上的好朋友，最终王一鸣通过自己的努力加上亲朋好友的帮助，实现了自己的音乐梦想，找到了人生新的价值和追求。

简介：七七事变前夕，华裔青年小亨德勒（彭于晏 饰）从美国远赴重洋，回到阔别十数年之久的北平从医。然而他真正的名字叫李天然，十三岁那年曾亲眼目睹师父一家遭师兄朱潜龙（廖凡 饰）和日本人根本一郎（泽田谦也

简介：英俊沉稳的威尔（克里夫·欧文 Clive Owen 饰）和妻子林恩（凯瑟琳·基纳 Catherine Keener 饰）还有青春期的女儿安妮（丽亚娜·莱伯拉托 Liana Liberato 饰）一起住在一个太平的社区，事业一帆风顺，生活安稳而美满，是一个令人羡慕的幸福家庭。可这一份平静随着女儿新结交的网友开始发生改变。14岁的安妮在网上认识了一个名叫查理的16岁男孩。而威尔和林恩起初并未太介怀，也对安妮的交友表示赞同。直到有一天安妮和查理安排了见面，让她吃惊的是：原来那个每天在网上与她交流的16岁英俊男孩并不真正存在。真正与她每天交谈的人竟然是一个可悲的的40岁中年男子。而更可怕的事情发生率，这个有恋童癖的陌生人强奸了安妮，从此威尔一家发生了天翻地覆的改变。而从来做事冷静的威尔终于忍不住爆发，他要为14岁的女儿讨回公道……

简介：性格孤僻的男孩塔塔，跟父亲、妹妹和奶奶一起生活在一个怪诞、神秘的村庄里。塔塔的父亲是村长，妹妹正在上小学，他们一家靠卖羊奶为生。塔塔和羊奶加工厂的女司机巫行云相爱，性情古怪的巫行云一直想拍电影成为大明星，她试图加入一个到城里拍电影的神秘剧组但被拒之门外，塔塔很希望帮她实现梦想却无能为力。巫行云决定去参加伊比利亚的派对，实现自己的巨星梦。她走了以后，塔塔变得愈发孤独，只有驴在默默地守护着他。而在分别前，巫行云把村子里一个关于羊奶的秘密告诉了塔塔。

简介：日本战国时代末期，有个名叫池坊专好的怪人。他爱花如命，是京都顶法寺六角堂的花僧，也是远近闻名的花道大师。　　经他拨弄过的松木，一举征服了岐阜城城主织田信长，丰臣秀吉、千利休亦为他的花道技艺倾倒。　　他不善言辞，时常记不住人名，同秀吉、利休等名流往来甚密，却毫无攀炎附势之心。妙手生花是他唯一的乐趣与追求。　　时过境迁，痛失爱子鹤松的秀吉变得残暴无度，不但肃清政治异己，连私底下吐露怨言的无辜百姓也要残酷清算。终于，平民百姓，甚至是好友利休，都被逼上了绝路。为了守护他们，还大家一个和平的天下，专好向万人之上的秀吉发起了一个前所未有的挑战。而他拿来当武器的，不是刀刃，而是花……

简介：故事发生在1830年的欧洲，帕格尼尼（大卫·葛瑞特 David Garrett 饰）是一位风流成性但极富才华的小提琴演奏家，此时，帕格尼尼正处在职业的巅峰期，在经纪人乌尔巴尼（杰瑞德·哈里斯 Jared Harris 饰）的协助之下，帕格尼尼用自己的音乐征服了整个欧洲。　　然而，个性古板而又保守的伦敦市民们却并不买帕格尼尼的账，于是，乌尔巴尼开始筹备起了帕格尼尼在伦敦的首演计划，为这个计划提供协助的，还有来自英国的经纪人约翰（克里斯蒂安·麦凯 Christian McKay 饰）和他的情妇伊丽莎白（维罗尼卡·费瑞尔 Veronica Ferres 饰）。一场意外让帕格尼尼不得不寄宿在约翰家中，在这里，帕格尼尼的“老毛病”发作了。

简介：A sassy parrot and a free-spirited librarian upend the well-ordered life of a solitary man. Lyman (Jackson Hurst) is a loner, working the graveyard shift for the Courtesy Patrol. When a green parrot flies in to his trailer he becomes obsessed with finding its owner, which leads him to Fiona(Rachel Nichols). She has been eyeing Lyman from a distance and decides to help with his parrot search, whether he wants her to or not. Along with her basset hound, they set out on a quest to find the bird’s previous owners and Fiona begins to unravel the mysteries of Lyman's past. But when Fiona joins Lyman on his nightly rounds, she witnesses a reality more intense than the romantic version she had envisioned.

简介：从小失去父母的简·爱（米娅·华希科沃斯卡 Mia Wasikowska 饰）寄居在舅妈家，自幼受尽表兄（克雷格·罗伯兹 Craig Roberts 饰）欺辱和舅妈（莎莉·霍金斯 Sally Hawkins 饰）冷眼，稍大些后即被送入管教严格的教会女子学校。在冷漠、刻板环境中长大的简·爱并没有成为心理扭曲的女孩，而是自立自强，还 积累了不凡的学识修养，成年后她成为桑菲尔德贵族庄园的家庭教师。男主人罗切斯特先生（迈克尔·法斯宾德 Michael Fassbender 饰）第一次露面时，与简·爱相识于一场堕马事故，随着二人慢慢熟悉，罗切斯特先生体会到简·爱的与众不同，并渐渐爱上她，简·爱亦受到罗切斯特先生的强烈吸引，但是大宅夜晚总会发生一些怪事，二人的爱情似乎蒙着一层阴影……　　本片根据英国作家据夏洛蒂·勃朗特原著改编，是这部名著第18次被搬上大银幕。

简介：IT博士程名打算利用一个月假期找到自己的另一半，相亲途中邂逅美女林可欣。林可欣的频频出现将程名相亲局面搅得一团糟，最后反倒收获了自己的爱情……

简介：繁华的香港十里场鱼龙混杂，邪恶势力占据一方，正邪之间各显看家本领，黑白两道虚实无间掀起幕后重重黑eee。性感艳丽的女杀手阿俪和PETER在完成一次任务后，遭到金毛强一伙的报复，幸得大佬成相助才得以逃脱，两人成为好友。棋哥以经营高利代等不法勾当为主，大佬成在一次交易中不慎暴露身身份，棋哥逼PETER执行家法，PETER无奈只有开枪，并决心寻机为大佬成报仇。得知棋将在近期运五千枪械来香港时，PETER便开始报仇计划，不料这是棋的计划之一。PETER中计，女友阿俪也被捉，并被棋的手下玩弄，PETER才知道这一切都是阴谋。身陷险境的阿俪又会怎样，身受重伤的PETER是生是死……

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：方子淇三岁开始就跟随妈妈前往美国过着单亲家庭生活，她虽然对父亲方云龙的印象模糊，却有着他的遗传，方云龙当年是搏击赛三届冠军，方子淇在美国学习跆拳亦见成绩，她终于代表她的大学来中国参加大学生跆拳比赛，与父团聚的梦想，她亦终实现 了。步出机场，子淇已见到父亲高举牌子在迎接她，他的样貌虽然和当年的照片有点不太相像，但是岁月摧人，乃是不用致疑，于是她便高高兴兴随父亲回家去。子淇自小已听闻父亲的事迹，对他崇拜不已，一路上不停的追问父亲学武的过程，比赛的心得，父亲却只是敷衍了事。因此子淇开始对这个所谓父亲的身份产生怀疑。　　子淇被带往见一个叔父，据说是父亲的同乡兄弟，二人感情要好，他是个出租车司机，但他见到子淇，感觉特别亲近，对子淇更是特别迁就，不管子淇要求甚么，他都马上开着他的出租车去办，令子淇对他也产生好感…。原来，这个所谓的叔父才是真正的方云龙，在机场迎接子淇的只是他的同乡兄弟，出租车司机刘诚。方云龙要与刘诚互调身份，一是因为与女儿十多年没见，不知女儿的想法，恐相处不来，而最主要原因还是他的现任妻子孙小乔，方云龙也怕因子淇回来而影响到他现在的生活，他们夫妻生了个孩子，比子淇小两岁，名叫方燕，也是热爱武术，这次也入围了武术比赛，所以方云龙逼于无奈找来刘诚帮他，刘诚假冒方云龙，每日受薪，而且吃喝玩乐一切使费都可以向方云龙报销，于是他亦乐在其中…　　方云龙要与刘诚互调身份，一是因为与女儿十多年没见，不知女儿的想法，恐相处不来，而最主要原因还是他的现任妻子孙小乔，方云龙也怕因子淇回来而影响到他现在的生活，他们夫妻生了个孩子，比子淇小两岁，名叫方燕，也是热爱武术，这次也入围了武术比赛，所以方云龙逼于无奈找来刘诚帮他，刘诚假冒方云龙，每日受薪，而且吃喝玩乐一切使费都可以向方云龙报销，于是他亦乐在其中……　　子淇第一次回来中国，对所有事物都感到新鲜。一天，她看到有小偷行窃，她便出手阻止，对方逃跑，子淇却穷追不舍，中途有见义勇为的青年加入，他们合力追截，可惜当子淇险些把小偷捉住，却因为青年的失误，小偷终逃脱了。事后，青年向子淇道歉，二人因此结识，原来青年名叫张力宏。张力宏是方燕的男友，得知子棋也是来参加比赛，张力宏介绍方燕和子棋认识，交谈中，子棋发现方燕的父亲也是她要找的父亲，这就更加确定了刘诚是假冒的。但子棋并没有表明身份。只想知道为什么亲身父亲不肯面对她，心中怒火燃起，方燕对子棋的第一感觉也不好，两人并没成为好友，反而吵了起来，弄的不欢而散。　　刘诚与子淇日夕相处，他孤家寡人几十年，忽有爱女对他孝顺，他们的父女感情也由假变真了，而且日渐浓厚，方云龙看在眼里，感到有点酸溜溜，无奈他又不敢向孙小乔表明一切，他只有无奈忍受。子淇比赛的日子越来越近，她也专心练习，希望得到好成绩，刘诚也鼓励她。　　比赛当日，方燕和小桥突然失踪，方云龙大急，他四出找同行帮忙，寻找妻儿的下落。原来方燕和小桥被人绑在仓库里，而绑架她的人竟是张力宏。原来当日，张力宏根本就是小偷的同党，他名为协助子淇，实际是让小偷逃脱，他知道方燕是服装厂老板的女儿，故展开追求，两人交往其间，他就已经打算等待机会绑票勒索，当方家后院起火时，他便事无忌惮，决定把方燕和小桥绑走，要求赎款。子棋接到消息，马上找方云龙商量，子棋救人要紧，再不顾方云龙为什么不肯面对她的事，也不提和方燕的矛盾。　　仓库里，张力宏与他的同党早已在等候，方云龙为救爱女，与张力宏等人展开生死搏斗，子淇眼看方云龙为了救她，不惜牺牲，她也受感动了…。方云龙血战下，终把张力宏等人制伏，同时孙小乔也报警了，警方来到把歹徒带走…　　机场，方云龙一家人送别子淇，子淇却挂念着一人，正是在偷偷窥看的刘诚，子淇发现了他，把他拉了出来，子淇笑说她有两个功夫爸爸！